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Tigmanshu Dhulia Blames High Ticket Prisis for Killing Bollywood’s Box Office: “Greed is the reason behind it”: bollywood news





Acclaimed Filmmmaker Tigmanshu Dhulia has sparked a conversation about the hindi film Industry’s Ongoing Box Office Wows, Pinning the blame squarely on exorbitant tickt perces. In a candidate interview with ani, the Paan Singh Tomar Director Argued that Bollywood’s Failure to Draw Crowds Stems from a pricing model that alienates audiences, contrasting it with the South Indian Film Industry’s More Afordable Approach.

Tigmanshu Dhulia Blames High Ticket Prisis for Killing Bollywood’s Box Office: “Greed is the reason behind it”

The cost of watching bollywood: a barrier to success

Dhulia Didn’t Mince Words when addressing Bollywood’s Current Slump. “Greed is the reason behind it, of course,” he stated, critique the Multiplex Culture that Prioritizes Revenue from Parking, Popcorn, and Snacks Over Affordable movie tickets. What Sets The South Indian Film Industry Apart? According to Dhulia, it’s not just the price cap – the Absence of Corporate Overreach. “South is still good trust corporates havene’t entered there. Work Within Friends, “He explained.

He further added, “The average capacity of south theatres is 75% but 25% in hindi, because there is a ca on ticket rates there. You can keep whitever price here. The ticket price are so heigh, who will go to watchny Film? Traffic is increasing in everything to skip. “

Re-Releases Prove The Point: Cheap Tickets Fill Seats

Dhulia’s argument finds real-window validation in the success of bollywood re-resurreases. Films like Sanam teri kasam, Tumbbadand Rockstar—Originally underperformers – Have Seen Packed Houses in 2025 Thanks to Slashed Ticket Prices. “When it’s cinema day and ticket prises are slashed to Rs 100, every theater is full. Films that worked wass that worked was only because of cheaper tickets, ticket prices, incidence tumbad, Sanam Teri Kasam, and Rocks Teri Kasam, Were flops when originally released, “He stated.

Multiplexes Under Fire: A Real Estate Game?

The Filmmaker Didnisc Back in His Critique of Multiplexes, Accusing Them of Treating Films as an aftercht. “They are showing it on giant tv screens -thhis is not how film screens are supposed to be,” He Lamented. For Dhulia, the focus has shifted from cinematic experience to real estate duty, with tickets inflated to offset investments in plush infrastructure. Single-screen theaters, he suggested, offer a purer, more affordable alternative-AX experience bollywood may need to revisit to recapture its audience.

Also Read: Harsh Varrdhan Kapoor Criticizes Bollywood’s Current State, Calls for Investment in High-Concept Films: “IT’s 2025 and the films that get greet are films”

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